Aerofly rc 7 flight simulator. The alesis fireport 1394 value is the minimum velocity needed to be alesis fireport 1394 for the trigger to output data. There are many aelsis types of triggers available on the market today — too many to cover individually in this manual — but most triggers can be grouped into the categories outlined below.

1. Alesis Fireport

I have the same interface and had the same problem. You'll have to use the old Alesis driver package. (3 Alesis1394Audio1.5d0.pkg) They are having issues with the latest mac driver update (3 Alesis1394Audio1.5d4.pkg) Go to the Alesis support page for the i/o and download their update package. Here - Run the Alesis Clean app, then reinstall the old driver (3 Alesis1394Audio1.5d0.pkg). It should work fine after making the appropriate settings on your mac System, and Audio Midi setup, and your DAW software.

Good luck null. I think I may be also having this problem. But, my computer does see the unit but thinks I have a new MacBook Pro OX 10.4.10 I can get levels on the IO/26 if the unit is pluged in with its own power unconnected to the mac or with the firewire interconnect, until the computer fully boots. Then I get no levels on the IO/26.

The yellow fire wire and green sample rate lights stay on. Any levels on the unit when it was plugged into my lap top. It was determined I had a defective unit. However, the replacement is doing the same thing. So, I suspect there is something the fellow from support missed.

My customer No. 10-rep0003 Order # A006290 I have a new MacBook Pro OX 10.4.10 I can get levels on the io/26 if the unit is pluged in with its own power unconnected to the mac or with the firewire interconnect, until the computer fully boots. Then I get no levels on the io/26. The yellow fire wire and green sample rate lights stay on. I have reloaded the new drivers from the website (we did this on the prior support call) The computer sees the IO/26 in all the windows for settings I checked. The only thing I can find that doesn't make sense, is under system preferences, Sound, inputs 'choose a sound input' it has the option of Alesis 1394 port fire wire.

When this is selected, it says 'the selected device has no input controls' mmm how can the unit have no input controls? I also don't hear anything in the headphones into the io/26 when I play a cd with the unit plugged in. Under sound output you get the message 'the selected divice has no sound output controls with the Alesis 1394 selected. I know the unit takes over all input and output. I have reloaded the new drivers from the website (we did this on the prior support call)but now I'll try the older drivers. I recently returned the first i/o 26 because my call to support failed to resolve this problem.

I couldn't get any levels on the unit when it was plugged into my lap top. After an hour with support, it was determined I had a defective unit. However, the replacement is doing the same thing. I suspected there is something the fellow from support missed. I hope this works. You're welcome. Alesis was in denial about their new driver not working with intel Macs.

Not sure if they really have a grasp on it yet. They haven't rectified this new driver issue despite my calls and emails to their support dept since August.

The old driver functions just fine on my intel Mac with 10.4.10. BTW, use the external power supply.Wait until the i/o has fully powered-up before connecting to your booted Mac. Also, connect (and turn on) your external Firewire drives and wait for them appear on your Desktop prior to connecting the powered-up i/o to your Mac. By doing so, you improve the stability of the i/o to 100%.

Thanks for the tips Bee Bee. I would have been tempted not to use the external power, especially when recording on location. I spoke to a fellow from support this AM. He said he will make the engineers aware of the issue and will check out this site for issues we are having.

He seemed fairly unaware that this issue was occuring. He said they were having big problems with apples recent update, but that it was other stuff. He said he had a mac pro right there working. I forgot to ask if it was an Intel processor. I asked him was there any major thing I would miss by having to stick with the old driver? He said I can't do the firm wear update.

Alesis Fireport

The improvement that made was allowing separate control of headphone volumes from the master volume. That would be nice. He suggested since it seems to be a 'systemic' problem I stick with the old driver as long as everything works. He recommended waiting until new driver comes out.

Thanks again, S. Sorry to say but the posts I've seen here say unpleasant things about the io and Leopard. This is more good and bad stuff about the io/26 than I have had time to read. Anyone buying this unit should read this. Anderton does a great job of it. According to him, which have been verified by several folks I spoken to, is that the Intel macs have firewire port problems with digital interfaces in general. I would assume this is why using the IO's power supply rather than the firewire bus to power the unit solves some problems.

Look Here: jimnorman Junior Member Join Date: Mar 2007 Posts: 36 We found earlier this week that the new Mac OS 10.5 had an issue with our current Mac DICE II driver. Apparently audio output was not working. We have been in development with a new Mac driver that solves the audio out problem, but we found that with Mac OS 10.5 that MIDI i/o isn't working.

In order to support our customers during this transition we are offering a Beta driver on our web site for the io 14/26 and Firewire Mixers. If you have have updated to OS 10.5 and use our Firewire products the Mac Beta driver should help with your audio issues. I do not encourage users with earlier OS's to use the update since their MIDI i/o functionality will be lost with this update. We hope to solve the MIDI I/O issue in a few weeks. The updates are located here: io 14/26 Firewire Mixers. Apple Footer. This site contains user submitted content, comments and opinions and is for informational purposes only.

Apple may provide or recommend responses as a possible solution based on the information provided; every potential issue may involve several factors not detailed in the conversations captured in an electronic forum and Apple can therefore provide no guarantee as to the efficacy of any proposed solutions on the community forums. Apple disclaims any and all liability for the acts, omissions and conduct of any third parties in connection with or related to your use of the site. All postings and use of the content on this site are subject to the.

Hailed by the music press as the holy grail of intonation correction. Auto-Tune from Antares has been adopted worldwide and is one of the largest-selling audio plug-ins of all time. Auto-Tune corrects intonation problems in vocals or solo instruments, in realtime, without distortion or artifacts, while preserving all of the expressive nuance of the original performance”with audio quality so pristine that the only difference between what goes in and what comes out is the intonation.

All with a user-interface that is a model of clarity, speed, and ease-of-use. For most common pitch problems, Auto-Tune 5's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic, and 26 historic and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style.

For meticulous tweaking, the Graphical Mode displays the performance's detected pitch envelope and allows you to draw in the desired pitch using a variety of graphics tools. This mode gives complete control over the correction or modification of the most elaborate expressive gestures. Auto-Tune is used daily by thousands of audio professionals around the world.

Whether to save studio and editing time, ease the frustration of endless retakes, to save that otherwise once-in-a-lifetime performance, or to create striking special effects, Auto-Tune 5 is the tool of choice. Key new Auto-Tune 5 features include: Improved pitch detection algorithm: While Auto Tune's patented pitch detection technology has always provided unmatched speed and accuracy, Auto-Tune 5 introduces improvements in performance with marginal quality (noisy, poorly isolated, etc.) audio. A sleek new interface: As Auto-Tune's features have proliferated from version to version, we have continually focused on maintaining its ease of use. With Auto-Tune 5, we have undertaken a complete graphic redesign. The result is both easy on the eyes and logically groups related controls for intuitive functionality. Consolidated Pitch Tracking control: The previously separate Automatic and Graphical Mode Tracking controls have been consolidated into a single control and relocated to the Options dialog for set-it-and-forget-it simplicity. Automatic Mode Features:: Humanize function: For those concerned about pitch correction that is too perfect, the Humanize function allows you to set a fast retune speed for short notes, while still allowing natural variation in held notes, for results that are even more natural and realistic.

Realtime natural vibrato adjustment: The new realtime Natural Vibrato function allows you to modify (either increasing or decreasing) the depth of any vibrato that is present in the original performance. Graphical Mode Features: Larger Pitch Edit Display: As you've no doubt noticed, the Pitch Edit Display is now bigger. Sync to host transport (host dependent): For hosts that provide valid time information, Auto-Tune 5 will now maintain sync with the host program. Once you have tracked audio and created correction curves, you can move around in your track at will. No more having to always start playback at exactly the same location. Selectable Clock Source: For hosts that do not provide valid time information, Auto-Tune 5's clock display and selection functions let you use an internal time reference for Auto-Tune 4 style operation. Realtime pitch tracking display: During the Track Pitch process, the graphic representation of the pitch and envelope will be displayed in realtime as the audio plays.

Full-time correction mode (host dependent): Whenever Auto-Tune 5 is not specifically tracking audio, Auto-Tune 5 will be operating in correction mode. There is no longer any need to press a Correct Pitch button. Besides being convenient, that makes possible the following feature: Multiple simultaneous Graphical Mode instances (host dependent): You can now have multiple instances of Auto-Tune Graphical Mode operating on different tracks simultaneously, even if their windows are not open. In previous versions, since you had to have plug-in windows open to engage Correct Pitch mode, only open instances could be active.

Editing functions no longer modal: You can now use all of the graphical editing features while Auto-Tune 5 is either tracking or correcting pitch. Enhanced Envelope Display functionality: We've made changes to the Envelope Display to make it much more useful for quick and easy navigation around your audio: Realtime graphical vibrato depth adjustment: The Adjust Vibrato control allows you to modify the depth of vibrato in your audio while preserving the contour of the original vibrato. Moving this control results in a real-time graphical representation of the resulting vibrato contour. Dedicated Snap To Note button: When using the Line Tool, clicking this button constrains the tool to exact scale notes. Dedicated Clear All Data function: Provides a convenient method to instantly clear all saved tracked audio and correction curve data. Compatibility with Pen Tablet Input: With a pen tablet, you can control Auto-Tune 5's graphical tools (as well as all the other controls) using a familiar pen-style input device.

A pen tablet can offer increased drawing accuracy with less wrist stress in long sessions.